Thursday, October 6, 2005

Paris Fashion Show (Part III)

I will not be sleeping well if I do not share those pictures tonight. Those are from my favorite show Balenciaga.

Nicolas Ghesquiere delivered the most powerful collection since he started working for Balenciaga. He combined the Balenciaga classic clean and sharp lines with massive amount of hand work to produce couture level fashion on the ready-to-wear show. The show started with rather safe egg shape dresses (one of Balenciaga's classic shapes) followed by more and more complicated clothes covered by embellishment. The jackets and pants are sharp as usual, while the details made me speechless. My favorite pieces are the black Tshirt with beads and the blue color pant suit. Few people might be able to pull off the entire "baroque rock star" look, but one item or two will upgrade your spring look instantly.
Pick up your phone, and call the boutique now. Trust me, those clothes are going to be in fashion history books.















Paris Fashion Show (Part II)

A tiny little more disappointments and then let's move on to look at all the good stuff.

Viktor & Rolf seemed losing all of their good ideas. Consistant with their new store design, everything in the show was backwards: the decorations were upside down, the designers greeted first, and the evening gowns were shown first. Besides that, I didn't see anything interesting there. They probably tried to hard to be avant-guard.
The Rochas show gained absolutely positive feedback from the editors, but I don't like it. The designer continued the elongated shapes from the FW'05 colleciton, but the skirts looked too long for spring and summer. To me, spring and summer are about short skirts and breezy outfits. The Rochas girls are too covered up. The good news is that the designer offered pants. The shapes are beautiful.
The following pictures are from Rochas. Picture courtesy of Style.com

Paris Fashion Show (Part I)

I would have been depressed hadn't there been a Paris Fashion Show. I knew the best are here, and they just raised the bar of "good fashion".

I guarantee you that there are shows you just hate, not because of the quality of the design or the style, but because of the concept that you never get. I am a huge fan of Yohji Yamamoto's FW05 show, but the SS06 show disappointed me. I didn't get the whole camouflage theme. Some said that he had war in mind, but I thought that a master like him would not use such physical language. The good news is that everything else are standard Yohji style, and that made me feel better. Later, when Rei and Junya showed their latest design, I realized that Yohji was the best performer among the Japanese designers in Paris Fashion Show. To me, the Japanese designers are avant-guard and experimental, but they seem to have the same ideas over and over again without further developing them. They normally look "different", which is a good thing, but I wonder how many people on earth will be able to wear them. Fancy design without functioning. That is what I hate.
The following pictures are from the Yohji Yamamoto show. Picture courtesy of Style.com

Tuesday, October 4, 2005

A story of a pair of Balenciaga pants

A pair of Balenciaga pants moved in Louis Boston in Feb. 05 as part of the spring/summer '05 collection. It was a pair of military green tapered skinny pants. The cut was not very forgiving and the $525 price pissed off a lot of buyers.

It was July, and the store put the pants along with other items on sale. It was 50% off the retail price, but there was no lady who loved them enough to hand over her credit card for them. The pants were sad.

A month later, the unfortunate pants were sent to Filene's Basement in Boston to give it the last try. A girl tried them on and they were not bad. However, she didn't want to pay $200 for a pair of cotton pants. Besides, she never wore green. She left, with the pants haunting her in her dreams for a couple of nights, and the pants missed her as well.

Time passed by. It turned to October. The girl hoped to get the pants to wear with her new tops for the fall. "That green should work with the gray scheme," thought the girl, entering Filene’s Basement. Going through racks of clothes coming from different department stores, the pants and the girl met again. The pants hugged the girls legs and didn't let her go. The girl handed over her credit card but she was informed that the pants stayed in the Basement for too long to be sold. Big disappointment!

But instead, the sales associate went on that the pants would be considered a "charitable donation". The girl never experienced this before, and she was excited but didn't know what to do. The pants were so anxious and worried. Guided by the sweet sales lady, the girl eventually wrote a fifty-dollar check to the American Cancer Society, and the pants went home with her.

That lucky girl happens to be me, and I am so happy with my pants and my donation.

Monday, October 3, 2005

Finding my ultimate Chanel outfit (Part 2)

My stylist Sarah greeted me right after I entered the store. Sarah was about thirty years old with a cute black and white outfit highlighted by a pair of green flats. The outfit was flawless. I told S that I was trying to avoid the "cute" outfits because of my baby face. We agreed on a "no bow" policy, and the game started. I put on her favorite black tweed jacket with angora, wool, and chiffon. It was meant to be worn without the buttons closed although it was indeed a double breasted style. It draped nicely on my body and the double breast design looked a thousand times better than a single breast style would have achieved. The only problem is that the jacket looked a little boxy on me. While I was puzzled by the sizing, store manager Barbara explained that the size was cut a little bigger this winter.

Barbara was a very sweet lady without any attitude that you might see in Neiman Marcus or Saks Fifth Avenue. She had a great sense of style and she taught me so much knowledge about Chanel. More importantly, she never pushes people to purchase the more expensive items. I was hesitating between a lined classic Chanel tweed jacket and the more youthful cardigan jacket, and she recommended the latter one which turned out to be a jacket that I would like to wear in the years to come.

Dressed perfectly for the event, Barbara was in a gray/silver jacket, a silk gray/black layered tulle top, a pair of dark gray cropped pants, and a sparkling cross crystal necklace. "You should try this top, Jing!" Barbara recommended her baby doll top. I put it on, and I loved it. The cut was small and it would be perfect worn under any jackets. I could wear it with a suit jacket for work and be party ready just by taking off the jacket or opening the buttons. The only problem was that the tulle feels extremely delicate, and the four-digit price was intimidating. I would have a heart attack if I broke a single thread of it.

My most wanted Chanel number in this season was a turtleneck with gray/black stripes and a flower pin. Other items in my wish list include a gray/black A-line skirt, and a short sleeve jacket to wear with the turtleneck. The event was a perfect opportunity to pull the entire outfit together without being pushed to make purchase. With Sarah and Barbara's help, I got all the items I want and started the experiment. Different from what I imagined, the turtleneck had super long sleeves and I needed to pull it all up to my arms to create that slouchy look shown on runway. That process reminded me of wearing my dad's sweater when I was a little kid. Years later, I was doing exactly the same thing but in a Chanel fitting room. I smiled to myself in the mirror, and checked out the outfit: the turtleneck was almost perfect but a size or two too big, the skirt fit perfectly, and they were the perfect match. After adding on the short sleeve jacket, I was ready for the winter. I felt like accessorizing the turtleneck with necklace, but I was never good at pulling off jewelry. I needed professional guidance.

Sarah brought me a pearl necklace and a pearl belt. I always adored them but never got one because I was a little afraid of pearls. Pearls are hard to pull off because they could make you look old or even ridiculous if you didn't wear them with the right outfit or they were not the right length. I wouldn't believe how well the pearls would go with the turtleneck until Sarah put it on. The magical Chanel details on the pearls gave it a totally different look and the necklace became the highlight of the outfit instantly. "Let's layer it." Said Barbara. She made the belt a funky black and white pearl necklace. For the first time, the pearls didn't add any weird "old lady" look on me but added just enough edge to the outfit.

We kept adding things on. Boots, bags, and even more jewelry. Once I was under layers of Chanel like the models on the runway show, I realized that we over did it. We cut it back and I returned to my black sling backs. Carrying my slouchy Balenciaga Bordeaux bag to add a little color, it became my ultimate Chanel outfit.

Sunday, October 2, 2005

Finding my ultimate Chanel outfit (Part 1)

Within thirty minutes, my world changed completely from never-ending spreadsheets and deals to ultimate glamour and joy.

Here I am. Greeted by the doorman at the Chanel boutique, I entered with the most elegant steps that I could manage. It was a Chanel-Elle event that provided Chanel customers with the latest trend and style consultation. Although I remembered every single outfit shown in the trunk show, I had never worked with a stylist before. I wanted to push my limit, experiment with the countless possibilities, and find my ultimate Chanel outfit.

I did my homework before the event. I browsed the runway pictures again to memorize the items that I would like to try on. Then I started thinking of my outfit for the event. I was planning to wear my black and white Chanel cardigan jacket (my only Chanel jacket) to the event paired with a Benetton black chiffon A-line skirt and a pair of Prada stretchy boots. When I put on the entire outfit on Thursday morning, however, I realized that I couldn't go to work with my "party" outfit. I was so frustrated and I wished the event were on the weekend.

Luckily I had a plan B and I budgeted extra time in the morning: I switched to a white Prada stretchy shirt and a Prada print pencil skirt from a couple of seasons back. A pair of black Bruno Magli black sling backs completed the hourglass look.

My hard work in front of the mirror paid off. I blended in the office despite a few compliments from the girls. More importantly, my grand entrance was wowed in the boutique. A customer even touched my skirt because she thought that it was cut out instead of prints. Great job Miuccia!

Saturday, October 1, 2005

Versace is back!!

I felt bad for Donatella and the house of Versace when Saturday Night Live made jokes about her in one of the shows in the past season. I seriously thought that Versace was going down, and soon they will be gone.
I was wrong. I didn't even think about checking out their latest show until somebody posted the pictures on the Fashion Spot. I was shocked. Versace is back! It was a powerful show. Very Italian, and very Versace. Donatella kept the classic Versace shapes yet used more sand tone colors and a watercolor palette. The show started with day dresses and skinny pants:
















































I liked how she used navy in the two dresses and the contrast in the fabric of the second dress:

The following navy dress is my favorite. The shape is classic yet the twist at the hem makes the dress less restrained. I also like how she used the earth tone colors in Gemma's dress. How flattering are the shoulders and the legs !
The evening gowns come. Looks at how the dresses flow with the body. The watercolor palette just reminds me of water, sky, trees, and flowers.
The beautiful blue and the golden divas!
Do you see the "red carpet" dresses here?
Look at how the dress moves when the model turned:
Versace knows what stage is the best for her design. Four models strolling down the T-stage with the reflection on the floor. Think about the rhythm. Can anybody get more powerful than that?
This is my last picture for the show. Welcome back Versace!

Pictures courtesy of style.com and Gettyimages.